n. IX Spring/ Summer 04 |
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XIII Wave-Gotik-Treffen, Leipzig (D) 28.31.2004 Photos in this page © 2004 Linden Fulcher |
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Friday
- 1st day was spent at the Parkbühne,
which proved to be a good start to the following
proceedings, first up for me anyway, After
Forever, Goth metal with operatic vocal made for
a good start to the night and indeed the weekend. The sets
though were on the short side. Next up were my band of the
day, Epica,
from the Nederland's. They played in the same vein as
AF
but maybe a little more fine tuned, great guitar licks and a
voice to die for. Unfortunately again the set was rather on
the short side still there were some good tunes starting
with Adyta
ending with the Phantom of Agony
(their LP title). So what could follow that well, Haggard, a band that I've seen before
and have admired for some time coming on with the Day
Heaven Wept...
They blend of metal and
orchestral music, to the degree of having an actual string
section on stage complete with operatic singers et al made
this a joy band to watch. Which was made even better when a
most amazingly powerfully sung version of Herr
Mannelig
preceded their parting song The Awakening The
Centuries.
Awesome could not describe my feelings at this time, the
last band, I'm afraid to say, didn't really
follow on to well in my eyes, My Dying Bride alas lowered the tempo a
little too much for me still we can't have it all our
own way all the time and the weekend had after all, only
just started...
Saturday - Well into the 2nd day
and a slight change of tempo, I decided to check out the Torhaus Dolitz, Estampie
were playing and something kind off jolted my memory to go
see this band and I was glad I did. The setting was that of
a medieval nature the band where excellent fusing old songs
with traditional instruments from the middle east, Asia and
Europe to entertain a modern audience (at the end off the
sound check the leader of the band remarked that this was
the quickest sound check they had done at the WGT, all of 1
hour 30 minutes...). And all with an acoustic air, a real
delight and cured my hangover a treat... By this time
though, we had discovered some interesting beverages which
made for memorable evening. Next up Ohrenpeyn
(I apologize if that is spelt incorrectly, this was taken
from their banner). With fire-eaters and jugglers, with more
acoustics music using bag pipes and percussion ,this really
stirred the audience up and the wine was going down even
better. The next band up and for me a real pleasure to watch
and dance too: Vivus Temporis four
young lads, from Chemnitz with a remarkable sense of humour.
Their show was very dance orientated producing music that
would not go amiss at some "illegal raves" that
adorn these shores, but all done with tradition percussion
and pipes. After this we just stayed put on site 'til
the wee hours of the morning around a campfire. My
conclusion for this day was that of a very enjoyable
surprise.
Sunday - Aaawh the day of rest,
and what a fine day it was too, finally got to the top of
the Volkerschlachtdenkmal and what a view, also
discovered the cemetery next door, an interesting place.
Enough of the tourist stuff, first up today for me was Deutsch
Nepal at the Werk
II. For what I could see this was a good performance,
the sound was good and the audience very active. Tonight
though was Haus
Leipzig night with Grendel
and FeIndflug. I had this
impression this was going to be popular and my theory was
correct, when I got to the venue, the queue was very long,
house was full to the degree that with two bands still to
play there was to be no more entry for people that night. Grendel were first up
with their very loud EBM style sound, got the crowd going
and made the temperature inside even hotter then usual (is
that place ever cold though). They started with
Deutschland and just got better this
was a great taster of things to come and with the drones of
air raid sirens and heavy drum beats they came, FeIndflug,
with their EBM style, I was reminded of trance break beat
music from over here, only with a militaristic style. They
marched their way through the likes of
Leitbild, Nsd et al, accumulating with
a blinding back drop of stuka fixation via film archive
while the stirring beats of Im Visier bring on the Stuka dive
bombers. Next up is a mad dash back to the Agra
for Anne Clark.
The tempo here slowed drastically, this wasn't really my
thing but it kind of grew on me, very poetic. The audience
were very pleased to see an old icon return and what a
return bringing the old with the new dare I say it, but to
me the sound was pretty gothic and very trance orientated,
this was very chilling before the storm of the Monday. Monday -For me the best day,
although at the time I wasn't to know this. Back to
the Torhaus Dolitz
after the storm that is, and another Celtic style acoustic
band who where very good even though they just about
insulted everyone's national heritages in some way or
another, but all in good spirit though. They were called Omnia.
Then it's off to the main hall, Faun
first up for me and if this band are anything to go by then
I was going to be in for a very good evening. With
electronic and Celtic influences they produced a very dance
beat using unusual old style instruments i.e. pipes and
drums coupled with some rather haunting melodies a good
start to the evening. Next up Cornix
Maledictum, another band that are incorporating
the traditional instruments and tunes and turning them into
a rather effective dance tool, which kind of begs the
question are the Goths turning to the dance rave culture, or
are the ravers going to become Goths in time... ha ha, only
time will tell. The fusion of fast break beats are forever
present at this particular event the only difference is they
use old style instruments, percussion and song to which
CM are doing this very
well. It just shows that the gap between music cultures is
narrowing. The next band being the best example to date, Saltatio
Mortis, awesome, In
Extremo meets rave. It's becoming more
bizarre, the full circle technology meets 600 year old
instrument design. This band really got the crowd going and
I even recognised a few old tunes, I'm sure I heard
one tune done by three other bands a good tune mind you. I
wonder what people a few hundred years down the line will
make of this. For me though this was thus far the band of
the festival, I was saying this would happen, the fusions
etc, and it just did, I want to take this back to England -
coming to a wood/forest/beach/field or where-ever near
you... Well,
Mila Mar is up
next, but before that a surprise act doing a couple of
tunes, the singer from CM came on and did an EBM
style set using electronic pipes and drum machines very
interesting. For me the next act is a class of her own, one
off the best female singers in the world, my favourite, she
wowed the audience with her very unique voice that sent
absolute shudders down my back, she was different from the
other bands that played, which I suppose was a good thing as
I needed to calm down a bit, to which she did very well.
Well, the last band for me tonight was Coil, not really my thing although the sound
was excellent and the audience were happy enough, a very
chilled end to the day this band were a little to sombre but
good none the less.
General
summing up: XIII WGT, not the strongest of line ups but had
plenty of surprises all for the good might I add,
traditional Goth took a bit of a back seat this year to more
traditional and unusual styles of the music genre. Even EBM
and industrial styles weren't that prominent, all in
all a good festival regardless, can't wait for next year and
more of the same.
On
behalf of Darklife I would like to extend my deepest
sympathies to the Family and Friends of the Two men who
tragically died early Saturday morning at the Agra, our
hearts go out to you RIP. Linden
Fulcher |
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Photo Gallery by Therion |
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